Rosie Braidotti Rosi Braidotti is distinguished professor of humanities at Utrecht University, director and founder of the Center for the Humanities at Utrecht University, and honorary visiting professor at Birkbeck College Law School, University of London. She has published widely in the fields of feminist philosophy, epistemology [1], poststructuralism [2] and psychoanalysis.

"HUMANTHING" Object-oriented ontologies place a thing at the center of existence, depriving a person of his privileged access to this center. People exist in reality on a par with sea urchins, bottles of Cola and a pack of contraceptives. Everything lies on the same plane. Nothing has special status. Everything is the same: a roll of wallpaper and prayer beads, a spool of thread and a Gothic cathedral, a Faberge egg and cockroach repellent.

The doorbell didn't take me by surprise: I ordered tickets delivered to my home. And who did I see when I opened the door, do you think? Of course, the Boss from the highway, my dear Samael, whom I have not seen for a hundred years. He finally materialized, and for some reason I wasn't surprised. My Boss and courier? Why not? He was always good with dressing up and changing scenery.

He will write to you again In two or three weeks When all troubles go away And the old life will return to normal As always, he will start a dialogue From a harmless: “how are you?” Perhaps he will add that he misses meetings But you already know him “I miss you” And is it worth accepting his return?

The reaction of children to me has always been important to me. Children of four or five years old perfectly feel the energy of the surrounding world and adults. If you have sincerity and inner light, then the child will notice them and give mutual emotions. I haven't had any problems with this my whole life. The guys smiled, some began to get to know each other. And this is real happiness, because I really love children's spontaneity and sincerity.

How the musicians of the Ototsky Quartet understand their work The loss(s) of the fate of modern music In order to discuss why and how the concert of the Ototsky Quartet is interesting, it is useful, after thinking about the title scheme, to outline the context. Today's music world is a world of loss. Worms inside the heavy earth, consisting of sediments from different eras, are trying to recycle the past.