#Michael Chabon Honestly, Sammy, I need some very big money Michael Chabon Not a long-lasting life from an ovary, a flower, friendship with wild winds, birds, after compliments, tseliks, and then being eaten. For a second of pleasure to the receptors. They were ripped off from their girlfriends, unceremoniously delivered into a strange environment by dirty transport, in handfuls of brushes, on the counter in bulk, without asking, without taking into account each person’s self-esteem.

I lived without a garden And at the end of his life he inherited a garden I was already preparing to wrap up, curl up, And write your will completely, discarding the drafts written with a fountain pen. Is it possible to write a will with a pen or not? Now you have no time to think about it You come to the garden You open the dry door of the flock So that the door does not close from the wind You tie it to a hook sticking out of the wall of the house.

As soon as I looked out the window, I saw a pink sunset, for some reason it seemed to me like a lot of compressed electrical mess. In this sunset there was a network, radio waves, an SOS signal, telephone beeps, the crackling of high-voltage wires, satellite television and much more. That is, there, at sunset, I saw the future, licked pink with a blue and white slab on top.

As part of the project “Political Dimensions of Cultural Praxis and Knowledge Production”, we are publishing a conversation between Johanna Gonschorek and Clara Laila Abid Alsstar, in which they exchange their experiences of working within the creative industry and art eduction. Clara Laila Abid Alsstar is an artist, art mediator and historian based in Munich and Hamburg, who currently works in a museum. Johanna Gonschorek is an artist, art mediator, and researcher based in Munich.

In the Hellenic story, Pandora, as a proto-woman and first mother, personified the axial, archetypal figure of the Great Goddess of chthonic nature. The metaphor of “Pandora's box” can be understood as a symbolic womb, a womb in which is sealed something that, once born, has the power to transform the world. The myth tells us that Pandora is a material-sensual projection of the divine, eidetic woman, Plato's choir. So what was in Pandora's box?

"AntiFaust" had every chance to occupy an honorable niche in the history of post-perestroika cinema. Some described him as an outlandish mystical avant-garde in the spirit of Buñuel, others called him the second “Mr. However, in the end, only a few saw the film, after which it has been in complete oblivion for almost 30 years. In 1990, a young German from Hanover named Georg Friesen came to Russia and enrolled in directing courses at VGIK.