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syg.ma
syg.ma
Online Media Outlet
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Found 13 materials
syg.ma
·
Oct 29, 2026
Tristan Garcia. Intense Life (3)
8. Opposite image. Something is resisting. Seoul Eve For a long time there have been stories about humanoid robots capable of feeling emotions and even love. The first use of the word “robot” dates back to 1928: it appears in the title of a theater play by Karel Capek entitled RUR (Rossum's Universal Robots). In the play, the term refers to artificial creatures, and in this case, biological creatures that are produced in a factory located on the island.
Nikita Archipov
syg.ma
·
Oct 29, 2026
A special path of dependence: economic development of modern Russia. Chapter 3, sections 2-3
Content 3. State economic policy 3.2. Export of capital by the state. State financial policy and its consequences for the real sector 3.3. Changes in economic policy from 2022 and their consequences Notes 3. State economic policy 3.2. Export of capital by the state. State financial policy and its consequences for the real sector As shown in Fig. 13 , from the early 2000s to the early 2010s, net exports exceeded the volume of that part of profits that was not spent on capital accumulation.
Андрей Полянский
syg.ma
·
Oct 29, 2026
A special path of dependence: economic development of modern Russia. Chapter 4
Content 4. Wages and consumption of the population 4.1. Share of personal consumption, wages and profits in the economy 4.2. Income differentiation and its impact on the development of the domestic market Notes 4. Wages and consumption of the population 4.1.
Андрей Полянский
syg.ma
·
Oct 29, 2026
Tristan Garcia. Intense Life (2)
Return to part one 4. Moral ideal. Intense man New type.
Nikita Archipov
syg.ma
·
Oct 29, 2026
A special path of dependence: economic development of modern Russia. Chapter 3, section 1
Content 3. State economic policy 3.1. Features of regulation of the internal market Notes 3. State economic policy The third of the main factors determining the specific features of the Russian economy is the actions of the state. At a superficial glance, it may seem purely superstructural, but this is not so.
Андрей Полянский
syg.ma
·
Oct 29, 2026
Tristan Garcia. Intense life.
More than half a century has passed since the epochal presentation of “The Method of Dramatization,” perhaps the most intense event in Western continental philosophy. The great thinker who read this report not only managed to infect a whole generation of thinkers with the desire to “interpret everything as intensities,” but also established a certain ideal of thinking. A mindset filled with life and electrified almost in the same way as our body at the moment of adrenaline rush.
Nikita Archipov
syg.ma
·
Oct 29, 2026
Arjen Kleinherenbrink Metaphysical Primitives: Machines and Assemblages in Deleuze, Delanda and Bryant (translation)
Arjen Kleinherenbrink Metaphysical primitives: machines and assemblages in Deleuze, Delanda and Bryant Abstract : In some versions of object-oriented ontology, entities are defined in terms of their powers. Similar approaches go back to the theory of “machine assemblages” by Gilles Deleuze and Felix Guattari. This article examines whether such entities can act as metaphysical primitives in explaining similarity and change.
Logosfallosa
syg.ma
·
Oct 29, 2026
The fury of life on the ruins of an empire
When a great civilization passes away, it is not philosophers who are the first to announce it. The deafening crunch of a tectonic shift was first recorded by those who were called “cooperative pop”. If you remove the snobbery, “Combination” is not just signs of perestroika life, twisted into a disco rhythm. This is a pure, absolute triumph of human genius, which was able to transform a historical catastrophe into a dazzling, furious celebration of life.
Viacheslav Shironin
syg.ma
·
Oct 29, 2026
Why do we think Otto Gebuhr wanted to save Frederick the Great?
"In some ways they are similar... both of them are remembered as people whose fate began within the historical stage of little Prussia, far from general European knowledge, and one theater, far from mass cinema distribution. However, in our memory they appear more often in their advanced years, having already achieved notoriety. Which from the means of transmission of fame itself became the message.
Ілля Ганпанцура
syg.ma
·
Oct 29, 2026
Aster
Dark purple aster in the lips my half dead friend It suits her incredibly as if with her she doesn't feel pain Her eyes were languidly dry in some viscous fright because a friend's heart beats quite rare And only in the early morning, when I bring her coffee, cognac and a little care. I missed many days due to work And he didn’t visit her during the fall.
Егор Глифонских
syg.ma
·
Oct 29, 2026
Totalitarianism without euphemisms: the “One State” project as a thought experiment
We are accustomed to the fact that any political philosophy that promises “the common good,” “world peace,” or “objective justice” sooner or later ends in violence. From Plato to Marxism, from religious utopias to technocratic projects of the 20th century, as soon as the idea of ​​absolute good gains access to the levers of power, it becomes surrounded by camps, police and the suppression of dissent. I wondered: what exactly is the bug? In the idea itself?
Безгосударственный машинный абсолютизм
syg.ma
·
Oct 29, 2026
Dmitry Khvorostov. Legal aspects of European carnival culture.
The article was published in the magazine "Russian Justice" No. 9, 2026. In historical and legal discourse, carnival culture is traditionally left to ethnographers or literary scholars, where the emphasis inevitably shifts to the aesthetics of the holiday and its folklore roots. However, for a lawyer and a researcher of legal history, the carnival represents something much more than a spontaneous outburst of popular energy.
Dim Xvorost
syg.ma
·
Oct 29, 2026
Tristan Garcia. Producing resistant subjectivities (long interview about the book "Intense Life").
This publication is an interview with Tristan Garcia about Intense Living , his second programmatic work, which is located between Form and Object and We. Despite the unpreparedness of the interviewers, who clearly had not read the book, this material copes with its main task: Tristan reveals to the reader in great detail and meaningfully both the main plot of his book and the reasons that prompted the philosopher to write it.
Nikita Archipov