Andrey Khanov. Waves of the mind, 600×2000 cm, 2020 Introduction is like determining a person’s ability to give definitions. I am sure that in order to give a simple and understandable definition, it is first necessary to clarify its context, that is, to answer the question from what point of view will we look? For what? So that the reader can prepare (tune in to the context). Let's consider the question itself - what is art? What? - is this a form? - meaning, what about art?

Millionth part From the stupor that lasted an eternity or two, I was brought out by a phone call, a cheerful melody - “A walk along the seashore.” — Good afternoon, my name is Igor, I have a very advantageous offer for you. Alexey was surprised by his reaction - he did not interrupt the conversation immediately.

Mots, kahanne, freedom - Eva Belarus 🌺. Ph&Idea: Anna Kosobutskaya ShotArt: Nadya Sayapina. Location: Photo studio Indoor The 2020 agenda was more than eventful and will go down in history not only for the resuscitation of the pandemic and the revision of modern public institutions and their functionality, but also for the total distrust of existing power hierarchies and their social contracts.

Illustration by the author The history of publications of Japanese authors writing books for children/teenagers in the USSR was not much different in its logic from the spheres adjacent to literature.

https://telegra.ph/Rodoslovnaya-08-15 "Golden Series" was founded in 2006. Series design by V. Pankratov Cover. Author of the idea, design by V. Pankratov. On the cover is a painting by P. Bruegel (the Younger) “The Tower of Babel” Pedigree. Generational painting on the paternal and maternal lines. With illustrations. Compiled by V. Pankratov. — Moscow: 2020 — 110 p. Descending genealogies of the descendants of N.F. Lukina (6 generations) and P.

New theater place of the living, free people, the world in the palms of your hands a different theater paradigm I. Initial position In the grand perspective of time, all things fall into place. Theater is defined by spiritual aristocracy. Not at all by the understanding of the majority or the consciousness of contemporaries. And especially not the situation of postdrama or the language of performativity. Theater is determined by spiritual aristocracy - whether it exists or not.