The crown of museum diplomacy
The Imperial Porcelain Factory traveled from St. Petersburg to Moscow Large porcelain sets are always associated with some kind of official ceremony, very important, very pompous, very rich, and at the same time, as often happens in diplomacy, slippery, cold, fragile and insincere. It’s good, really, when these sets cease to be an allegory of real politics, but are deposited in the funds of museums. There they play the role of subjects of museum diplomacy.