How scary it is to be serious
“Return” to the painting of Semyon Faibisovich in the Regina gallery Since Semyon Faibisovich gave up painting in the long-ago, still far from stable year of 1995, he managed to write several books, was engaged in photography, but just did not make a movie. Over the years, the artist, the technique he uses, and the people he paints have changed. Only the themes remained the same: people (in the new paintings, mostly women) in a trolleybus, a minibus, at stops.