Yan LevchenkoFound 249 materialsNewest firstOldest firstNewest firstBy relevanceMoscow Times·Jul 25, 2026The decline of agitprop: why the Russian state is advertising SVO worse and worseYan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionMoscow Times·Jul 11, 2026When the homeland is death: how Russia managed to embody the most ruthless idea of Freudian psychoanalysisYan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionMoscow Times·Jun 21, 2026“And Pushkin never died in the snow”: how Dmitry Bykov understood the golden age of Russian cultureYan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionMoscow Times·Jun 7, 2026Twilight of optimism: how tired it is that “everything will be fine”!Yan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionMoscow Times·May 17, 2026Should I forget about studying? – or What to do with the exaggerated demand for good educationYan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionMoscow Times·May 2, 2026The normality of evil. The Women's Channel as a therapy for hopeless griefYan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionMoscow Times·Apr 20, 2026The curse of the exclave: the Kaliningrad region as a hybrid weapon of a new warYan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionNovaya Gazeta Europe·Mar 3, 2026Orpheus in HellNikolai Kolyada died. The playwright and director, who during his lifetime became a modern Ural classic, is remembered by Yan Levchenko Nikolay Kolyada. Photo: Alexander Avilov / AGN “Moscow” Kolyada died on the night of March 2, and on the same day his theater produced the play “Orpheus Descends to Hell.” During the rehearsal, the irrepressible artistic director ran away from the hospital, but a week ago he was connected to a ventilator, with which you can no longer escape.Yan LevchenkoMoscow Times·Feb 28, 2026What is the power, or the Churching of Russian repressionsYan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionMoscow Times·Feb 6, 2026The zombie box went haywire, or how Russian television propaganda failed to cope with traitors to the motherlandYan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionDemagog·Dec 16, 2025The loneliness of a swimmer and the birth of man. How to make real European cinema from Kazakh history in Russianmaterial: Yan Levchenko illustrations: Sofia Khananashvili At the end of November, the largest Black Nights Film Festival in Northern Europe and the Baltic Sea region ended in Tallinn. The film “The Winners Are Seen at the Start” took part in the feature film competition of the Baltic countries. This is the first feature film by Zhannat Alshanova, a director from Kazakhstan who lives between Almaty and London.Yan LevchenkoMoscow Times·Dec 15, 2025Russia's Roblox Ban Makes Censorship Look SillyYan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionMoscow Times·Dec 12, 2025Children don’t care about Roskomnadzor, or Do carpet blocking have positive consequences?Yan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionMoscow Times·Dec 6, 2025One people, one Reich, one Fuhrer: Russian national policy as an instrument of complete and final unityYan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionMoscow Times·Nov 27, 2025How Russia’s Cultural Life Continues Despite the WarYan LevchenkoOur archive does not currently contain the full version of this documentPreserved copyLink to original versionPrevious123...17NextShow more