Review of Andrea Long Chu's book "Women's Paul" Brooklyn essay Andrea Long Chu proclaims that "all people are female, and everyone is sick of this." At the request of the “Gorky” poetess Oksana Vasyakina, I figured out how the pessimistic trans theoria of the “female” is arranged, which is why the chosen translation of the name of the book is incorrect and why Long Chu may be sick of some ideas. Andrea Long Chu. Female gender. M.: VAC, 2020.

From the book of Robert Anton Wilson "Schrödinger cat" The Independent Bookstore “All Free” was sent to print the Russian edition of the Schrödinger Cat Robert Anton Wilson, anarchist, a conspiracygology researcher, an outstanding representative of American counterulture. Gorky publishes an excerpt from this book, entitled “Walking Gluck”. It is possible to support the project by ordering the Cat Schrödinger until November 13th. Robert Anton Wilson. Schrödinger cat. Trilogy.

From the book “Venice. History of water and land" The International Fair of Intellectual Literature Non/fictio No. 22 will take place not at the beginning of December 2020, as previously announced, but at the end of March next year, according to a message from the fair’s Expert Council received by the Gorky editorial office.

What the nightingale Yuri Tynyanov is silent about. The study of Ilya Vinitsky Tynyanov, composing his unfinished novel about Pushkin, saturates the text with many literary allusions, often noticeable only to specialists. Some of them are frankly obscene in nature, referring the insightful reader to the traditions of the Barcovias of the late XVIII century.

Five audiobooks that deserve to be heard “Gorky” and the Storytel service continue to the “As you audit” heading, in which the curator and critic Sergei Odovnov talks about interesting audiobooks, noting their main advantages and disadvantages.

Three more books that are scary to even pick up Ruslan Erofeev. Chthon. A man with someone else's face. M.: Yauza, 2018 The word “chthon” in relation to modern Russian literature most often evokes associations with the prose of Yuri Mamleev and the work of his colleagues in the Yuzhinsky circle. Ruslan Erofeev develops these glorious traditions, turning them into cinematic trash. The first part of the novel is literally a novelization of memes about the fool and the orderlies.