How America has ceased to be afraid and fell in love with contemporary art
About Hugh Ikin, which has not yet been translated by the Picasso War, The story of how in the 1910-1930s the efforts of two enthusiasts of contemporary art managed to break the conservatism of the American public and force it to accept the work of Picasso, Rousseau, Van Gogh and other European modernists, worthy to serve as a plot for an exciting novel.