From the editorial office. “Russian Journal” in the person of Dmitry Lisin met at the Central House of Artists with various interesting people, so that they summarize the cultural results of the “zero” years, and at the same time the results of the fifth Moscow open international book festival.

Just to the screens of cinemas, the domestic criminal drama “Alien” was released. The director and actors are not very well known to the viewer. But the producer of the film Konstantin Ernst does not need the performance. The author of the cinema scenario Vladimir “Adolfych” Nesterenko is quite popular. It was thanks to him that the film acquired an individuality that distinguishes him from such creations of domestic cinema.

When the article was prepared by Artyom Akopyan , “Fronta, it goes into a counterattack,” the editors of the “Russian magazine” warned me in a good way. And even tried to “soften the blow”: “ Well, we corrected a little there ... ” - fearing, apparently, that I would be terribly upset. However, I believe: it was necessary to give the position of the “guard” as it is, without a cosmetic editing. To make it work out: “guardians” - they are such, and Westernists - they are completely different.

The domestic crime drama “Alien” has just been released on cinema screens. The director and actors are not very well known to the viewer. But the film’s producer, Konstantin Ernst, needs no introduction. The author of the film script, Vladimir “Adolfych” Nesterenko, is also quite popular. It was thanks to him that the film acquired an individuality that distinguishes it from similar creations of Russian cinema.

It seems that an oil spot that continues to expand after an accident on a drilling platform in the Gulf of Mexico, causes considerable damage not only to the ecology and the economy of the coastal states, but also to the political career of Barack Obama. According to the degree of threat of US national security, the oil spot has already begun to compare with al-Qaeda, and the president himself did one of the first to do it.

From the editorial office. “Russian Journal” in the person of Dmitry Lisin met at the Central House of Artists with various interesting people, so that they summarize the cultural results of the “zero” years, and at the same time the results of the fifth Moscow open international book festival.

Who is someone, and I was very surprised by Konstantin Ernst. He almost always produced massive, pleasant spectacles. Yes, the best of them - both “old songs about the main” and “night patrol” - were multi -layered. That is, people burdened with cultural luggage could appreciate something of their own, which the uncomplicated look of people without luggage slipped by. But Ernst's projects still remained as massive as possible.

Before we had time to forget about the “dashing 1990s”, try to comprehend them, look at them differently , when just in case of us, these same 1990s, we decided to dip again in a terrible atmosphere very difficult for Russians. And the producers Konstantin Ernst, Igor Tolstunov and director Anton Bormatov did this. Together they undertook to film the novel of the same name by Vladimir (Aka Adolfch) Nesterenko. In the picture we see the following. Ukraine, September 1993.

The new domestic film “Alien”, shot from the same name by Vladimir Nesterenko, is knocked out of the general row by the fact that Konstantin Ernst was actively engaged in its producing and advancement to the masses. In the zero years, the general director of Channel One, together with a team of like -minded people, not only mastered the territory of Russian cinema, but set him directions of development path. With his “patrols”, Ernst made a revolution in a stagnant domestic movie world.