“Nothing has been found,” Pierre again told himself, “nothing has been invented.” We can only know that we know nothing. And this is the highest degree of human wisdom. (Leo Tolstoy “War and Peace”) Last time we talked about how everything in the physical world is material. At the same time, there are intangible things in our lives, but physics does not study them.

...you've never seen a real movie. All you've seen is 111 years of illustrated text. There never was a movie. This is a hybrid that came out of a bookstore. P. Greenway 1. HOW versus WHAT: Why is a director's production needed if there is already a literary SCRIPT? In the text we will touch on a very important point in modern cinema.

Pedro II, painting from 1872. In the previous article we already mentioned the monarchical imperial experience in Mexico, and how the triumph of the republic turned out for it. But this example was not as complete, and, as a result, as characteristic as the example of the only Lusophone (i.e., Portuguese-speaking) country in Latin America, the example of Brazil. Let's start from afar.

Touches, jokes, situations begin in the eye. You can see it without feeling the touch, but by seeing it you can understand it. Laugh not because of the laughter heard around, but because of the appearance of a clumsy person. The anthropomorphic is understandable only to someone who has seen the body. The eye, then, represents anthropology and humanism. Human cognition and thinking are located in the eye. This is fundamental for humans.

The club generally works from seven, and by seven there should already be girls. But they are not there even at eight. Yesterday I came first again and, as a result, the first guest was mine. I danced and sat down on his sofa. A man of about thirty-five, well-fed. Dark hair, goatee. Dressed in all black. If it weren’t for the decent suit, then by his plasticity and look, I would have thought that this guy was one of those who loves Chistye Prudy.

The integrity and sovereignty of the object of any science is guaranteed by the fundamental idea into which the world is objectified under its gaze.