Superstudio | Monumento Continuo (The Continuous Monument: On the River) | 1969 Within the framework of architectural activity, it is customary to distinguish between architectural theory and practice. In reality, such a rigid division is problematic, since there is no architectural knowledge as a form of thinking completely external to architectural practice.

In the puppet theater K̶а̶р̶а̶б̶а̶с̶а̶ ̶Б̶а̶р̶а̶б̶а̶с̶а̶ Westworld, the main character turns out to be M̶a̶l̶j̶v̶i̶n̶a̶ Dolores, acting out the scenario “An eternal victim of violence, a farm girl who wouldn’t hurt a fly.” In the first scenes, we are demonstratively shown a fly crawling unhindered on her android body, which eventually crawls onto the open eye of a harmless girl and feels completely right. A clear picture of vulnerability and helplessness.

From 4 am Homeric convulsions shook all parts of the body. The mouth and stomach woke up in the blender. And for some reason my hand strangely reached out to Ethics. Precious details - text, created an insurance fund for a new reality. A little light has already smeared me with the treasure of energetic difficulties of Descartes. From them I began to feel retribution, how all the transactions of the world were carried out through me and scores were settled with him.

The published article by F. Guattari was written not in the post-medial era he predicted, but much earlier, in the “lead 70s”. At this time, terror was flourishing in Italy, there was an active struggle between right and left movements within the country, worker and student self-organization was intensifying and its new forms were being invented.

Why has the world forgotten about North Korea? It is hardly mentioned in the news, except when a 21-year-old American student was sentenced to 15 years in a concentration camp for trying to steal a propaganda poster. Having accidentally seen an advertisement for tourist trips to North Korea, I spent several days reading and watching documentary videos. A totalitarian regime and dictatorship, but under these big and abstract words lie very concrete facts.

“We see a more subtle version of vanitas in Rembrandt. As you can see, there are no skulls, no pipes, no coins here, and here there are books stacked in such a pyramid, and portrait engraving. The books are all closed, that is, the person has done all the work and was left alone with himself: contemplating one’s own death,” Alexander Markov's podcast was played. “You have reached your destination,” notified Google Baba. “How much for me?” — said the delivery customer.

The seventh story on Fridays, this time from the series “1973-2000. Volodya." It’s a rare case when the grandfather gives up the microphone and only does a literary adaptation of the terrible, life stories that were told to him by the mechanic Vladimir Nefyodov, with whom he worked side by side and was friends for many years. If you are interested in oral or micro-history, or like to read “direct inclusions” in the events of big history, you will like it.