Kurvenschreiber project members Sergey Komarov, Ilya Sadovsky and Vlad Dobrovolsky talk about their collection of modular synthesizers, bio-groove and the usefulness of restrictions when creating music in a conversation with Philip Ilyinsky. FI: I can’t help but ask how you created the kurvenschreiber project? What is your interest in each other? How did it come about that you work together? SK: kschr was born in 2010 around my home studio in St. Petersburg.

When you are 18, when you are not completely sure of anything, when you live every new day on intuition alone, when it seems to you that a whole swarm of possibilities is circling around you, and you are free to choose any, when you are afraid of missing something and making friends with the wrong people, when you dream of money and status, when you are in love with a girl from a parallel group, when you are not tormented by a single serious problem, when you are fired up with more and more new

Interview: Daria Varigina Italian mime Luigi Benassai talks about physical theatre, street performances and how clowning helps one connect with the world. Luigi Benassai in the play The Jail Luigi Benassai, known as gReY the Mime, has been performing street performances in piazzas in Italy and around the world since 1999. Luigi teaches at drama schools in Rome, New York and Florence.

Opposed to the absolute idealism of labor, dialectical materialism is probably only a dialectical idealism of productive forces.

Polina Kolozaridi is a junior researcher at the Higher School of Economics and coordinator of the Club of Internet and Society Lovers . In an interview with Kirill Rozhentsov, she talked about different images of the Internet and explained why the network still has liberating potential. This material was first published in English on Inrussia.com .

Looking through the next books of the next publishing house, I came across somewhere deep in the idea that fiction is slowly dying, and it has been dying for a long time, it is clearly dying. Thus, most publishing houses no longer work with prose, preferring scientific/pseudo-scientific/historical and pseudo-historical works, books on human development (which have nothing to do with development), business thinking, pseudo-history, hitchhikers and other fiction.

In Sidi Larbi Cherkaoui's ballet Sutra, there is a scene in which wooden boxes (/blocks/coffins) are stacked into structures that strongly resemble the gates of a Buddhist temple. This scene preserves the combination of stop and movement as simultaneous co- and opposition, the interweaving of two elements in their discord (στάσις). Initially, we see the emphasized mobility of the boxes, their mobility. They move around the stage, folding into different shapes with each other.

Dmitry Pozharsky University Publishing House and Library of the History of Russian Philosophy and Culture “House of A.F. Losev" at the end of December held a presentation of the XIV volume of the journal "Aristey": Ancient Heritage.

Once you put the disc in the player, you may not even notice the moment when the music starts. Quietly and measuredly, sounds penetrate the space, but do not impose themselves on the listener, but create a zone of comfortable listening to music and the environment. “Something drone-like!” - you say. But I immediately came to mind of the works of Kevin Drumm, which can be called almost ambient, but at the same time they have a very specific message about interacting with the sounds around you.

We return to the club. To the hospital. There was supposed to be a party on the ninth, which Dakota told me about on Thursday the eighth (see November 12, 13, 15, 18, December 2, 8). When I came to work on Friday, not a single girl was wearing a suit. In short, neither angels nor demons were found in the dressing room. Just as I thought. Everything was cancelled. I met hostess Elena at the bar (see November 21 and 24). Her lips were not red, but dark cherry. Still beautiful.