Where is the line between the world of contemporary art, academia, experimentalism and the world of dance music? This question is answered by Errorsmith , a musician and developer of the Razor synthesizer plugin, who will perform today in the GES-2 space in the evening program Geometry of the Present. EB: Besides your solo project Errorsmith, you also participate in MMM and Smith'n'Hack, which are more dedicated to dance.

There is a famous Buddhist metaphor that compares our life to being in a movie theater. It can be found in any popular story about the philosophy of Buddhism. The metaphor of this story is a man born in a movie theater. Let's imagine such a person. He looks at the screen, sees spots of color there, which he recognizes as people and objects; experiences emotions, worries.

Characters: Orpheus, or the Professor Persephone, aka Memory Voice of Reason, or Maenad Robot (android that shoots rubber bullets) Orpheus of the New Aeon enters the stage. He holds a robot in his hands. “Every time at the end of February I wake up in the morning and I feel like I’m disassembled and torn. But I need to work. But I can’t! I can't revive this robot. What should I do? Where is my voice of reason?