Quite often in mathematics, time notation is used to formalize this or that idea. A kind of zombie, which is defined through the key properties of the item in question. It is then demonstrated that, by definition, a “zombie” is indistinguishable from the original. In particular, when integers are constructed, often for the sake of expressiveness a construction of the form “a 🦀 b” is introduced, where the crab does not have its own meaning.

I respond to pain with screams and tears, to meanness with indignation, to abomination with disgust. In my opinion, this, in fact, is called life. Anton Pavlovich Chekhov #Lerysol I respond to pain with screams and tears, to meanness - indignation, to abomination - disgust. In my opinion, this is actually and it's called life Anton Pavlovich Chekhov Nobody asks. Nobody asks if I want to drink whiskey this Sunday evening. Whiskey is heavy, gold color, rich, awakens notes of aggression.

The second day at the VI International Festival of Contemporary Music “Another Space” at the Moscow Philharmonic became triumphant. EVGENIYA BRIL The evening opened with the composition “Agnus Dei” by composer Eugenia Brilo for a large symphony orchestra. This year Evgenia became a laureate of the competition for young composers held by the Festival. “Lamb of God” captivated her with the charm of her student’s diligence.

Psychedelic, singing in an imaginary language, music under drugs, a polyphonic saxophone and Vladimir Yurovsky walking between the rows of the stalls with a plastic bag in his hands. It’s not hard to guess that the 3rd day at the VI International Festival of Contemporary Music “Another Space” at the Moscow Philharmonic was dedicated to the world music of “outsider composers”. And this day turned out to be absolutely unforgettable.

Sergei Prokofiev, Barrier (2011), group exhibition Along the edges (Department of Research Arts, VDNKh, OPTICS pavilion, 2018) photo - Ivan Kleimenov Sergei Prokofiev (b. 1983) is a contemporary artist from Russia, lives and works in Moscow. Graduate of the School of Contemporary Art Free Workshops (2011) and the Institute of Contemporary Art (2013).

Drawing by Hans Bellmer Vasily Borodin The text that is now going to be discussed somewhere is the artist’s text, and the artist’s text is, as a rule, the “wrong side”. The plastic-color harmony in the artist’s text, achieved with great effort and intelligence in the plastic visual arts, usually turns into clumsiness, architectonic intuition into a series of construction errors, and so on.

Galina Chelyadinova About Kior Yanev's review of A. Delvaux's film "Rendezvous in Bray" The reader's floating attention suddenly stops... on the remarkable free associations of Kior Yanev in the analysis of the plot and behavior of the characters in the film "Rendezvous in Brae". A certain plot chaotic nature of the film is justified by the multiplicity of the author’s meanings and the symbolism of the life movements of the characters directed by A.

Photo by Michael Ackerman © In a certain sense, subjectivization is inversely proportional to becoming an animal. Becoming a subject is killing an animal, the same animal whose meat we love well-done. However, all we are left with is the end of the thread, the taste of meat and gravy in ourselves, a simulacrum of a similar experience experienced by an animal.

“Abuse” by Natalia Zaitseva, dir. Ivan Komarov, Center named after Vs. Meyerhold Ivan Komarov’s new work touches on an extremely painful topic for modern reality - the topic of domestic violence. The director is trying to follow the life of a person who is faced with the problem of abuse, a person who has become its victim. As it turns out, he is a victim forever. The expressiveness of the performance lies in the curved wire of life itself, which Ivan skillfully reproduces on stage.