For ideological reasons, the author does not consider it necessary to use any leads and headings for this text. In addition, the same ideological reasons dictate the absence of any links and images in the text. This is the fundamental position of the author, and it does not need comments, being part of the author’s statement. I think everyone present watched Twin Peaks, because in our business we can’t live without it.

“Tentacles Longer Than the Night” is the third volume of the “Horror of Philosophy” trilogy by American philosopher and researcher of media, biotechnology and the occult Eugene Tucker, published in Russian by Hyle Press. In this trilogy, horror and philosophy are presented in a situation of parallax - a constant displacement of the gaze between two areas, neither of which can normally be seen when the other is seen.

On December 7, a meeting will be held between the Presidents of the Republic of Belarus and the Russian Federation, Alexander Lukashenko and Vladimir Putin, at which they will discuss “deeper integration” of the two countries.

Well, it’s true that what I write can only be called poetry with a big stretch... But this is my opinion, yours may differ, take a look: “HEROD RULES THE WORLD!” I live in an imperishable country, Everything is allowed to me in it. This is the best place in the universe Pristine and unforgettable. I will absorb euphoria through my veins, And I’ll remember the future without foam... And then I opened my eyes And he concluded: Herod rules the world!

Author: Alisa Bolgarina Independent theater, existing outside the boundaries of institutionality, takes advantage of its underground position - choosing the most pressing, relevant and sometimes even painful issues for reflection and research. The absence of institutional restrictions leads independent theater to a situation of continuous search for new topics and forms of dialogue: aesthetic with social and political, literary material with stage text, spectator with performance, etc.

Radio digest for November. The sound geography of Andrew Pekler, soundtracks from Soviet films and animations from the Shukai label, field recordings from Iran and regular releases of Klammklang and inexact. www.instagram.com/dima_tolkachov/ PBA release with a mix of Berlin-based musician and artist Andrew Peckler. Andrew says it is an attempt to soundly represent different physical places or spaces and juxtapose natural sounds with products of synthesis, composition or sound manipulation.

Cut from the shoulder Without thinking In the heat of the moment On the eyelid Twentieth Handprint You Headless The dungeon is bright There's a warm feeling towards me Walled up my heart Blue Whisper louder Abandoned notebooks Hanging shackles To the top Towards isolation Mental occupation Layered on the stones From the cliff Looks beautiful Words of filth Sweet in the mouth Somehow it turned out ugly

Illustration by the author The first and so far only translation of the manifesto of the Japanese Gutai Art Association into Russian. Realizing the present, we understand that the art of the past seems mostly false, full of excessive pretense. Let's say goodbye to these piles of false things piled up on altars, in palaces, salons and antique shops. They are monsters created from materials: paints, fabrics, metals, earth and marble.

It is impossible to go further than Hegel station. But somewhere out there, on the horizon, Losev’s pyramid looms. How to get there? Hegel filled with the cement of definitions all the free spaces between the living questioning gaze and the wall of someone else's, other, meon. Hegel did not dare to examine the gaze itself, that is, the secret of attention, and without this everything is motionless and dead.

IGNORANCE begins a series of publications highlighted by the reader of the first issue - Christina Wazowski, creator and host of the podcasts “This is a failure” and “Christina, good afternoon!” The theme of the first issue of IGNORANCE is volume. From the prose sent through the open call, Christina selected five texts with the greatest auditory potential. We present the first text in the series - “The Dead” by Andrei Stadnikov with illustrations by Sergei Komissarov.