So don’t be afraid to say nonsense! All you need to do is listen to your nonsense. Ludwig Wittgenstein [2] Let's start with two things: institution and discussion. The art school is a direct representative of the institutionalization of art. It represents the world as a set of rules, practices, traditions and habits regarding art that are organized within a social order. The assumptions and precepts taught in this school are essentially a description of what art is.

Ivanov and Ivanov stood on the balcony. Ivanov was in a classic suit with wide shoulders, Ivanov was in very soft and pleasant pajamas. - Ugh. - Hrrp, pfft. Both wiped their mouths with their sleeves - Ivanov with the hard fabric of his jacket, Ivanov with the cuff of the most delicate pajamas. - Why do we spit at pigeons? - Ivanov turned to Ivanov . “I don’t know...” Ivanov threw back his neck, squeezed his eyelids and thought.

At the dawn of his rebellious youth, Darwin worked in Africa as a locomotive driver, which determined the fateful path for all of humanity: he was a self-proclaimed driver, and he did not like animals at all, and somehow, on a sharp turn, with steel wheels he cut off the tail of a very cute, red-faced monkey, who did not even know that after that all of humanity came from her. However, this happened on a dark African night and Darwin was visually impaired in the dark.

Last Saturday, the Moscow School of New Literature and the Laboratory of Drama and Theater Practices held the final music workshop “Creating a Musical: Scenes from Non-Existent Works” as part of Sergei Morozov’s course “Fragments of Unwritten Musicals”. The workshop was led by Sergei Morozov, theater director and curator of music programs, and teacher and composer Alexander Margolin. Among the participants are invited soloists and graduates of the variety department of RITI-GITIS.

Rech#port publishes a selection by Mikhail Tokarev.

Illustration by the author This is the second part of the material, dedicated to the married couple Arakawa/Gins, the creators of the concept of “reversible fate”. In the previous article, we briefly skimmed through the initial stages of their biography and took a closer look at their joint project of the 1960s, “The Mechanism of Meaning.” This time we will touch upon the central body of their theory/practice, looking at architectural projects and the 2002 book The Architectural Body.

Spring, 399 BC*. “Some miraculous divine sign happens to me <…>. It started for me in childhood: suddenly - some voice that every time deviates me from what I intend to do, but never persuades me to do anything.” Socrates appears before the Athenian jury of fifty-one people. Three citizens (the tragedian Meletus, the influential democrat Anytus, and the orator Lycon) accused Socrates of denying the gods and corrupting youth by inventing new deities.

The bus did not come to the fork. Minus thirty is not minus forty, I liked being a free artist, traveling around cities and towns with my own courses, and this package included, in addition to long journeys, long treks, regardless of the landscape, time of day and season. The methodologist was waiting at the evening bus station.