Notes on R. Scott's films "Prometheus" and "Alien: Covenant". Somehow clearing my nose (why do I need extra stuff there?), I notice with amazement that the finger in the nose is not mine! And the hand under him is someone else’s, as healthy as a horse’s, This hairy one is not growing out of me. (song) No. 1. PROMETHEUS Losev also pointed out the inconsistency and ambivalence of the Promethean myth (see: A.F. Losev. The problem of symbol and realistic art ).

A new book from the Tsiolkovsky bookstore publishing house has already been sent to the printing house . This time it is a famous essay dedicated to the magnificent George Brummell and the phenomenon of true dandyism. The publication is accompanied by a modern and, as far as possible, relevant afterword by Ph.D. Anna Nizhnik, presented below. Every piece of mine is emerald indecent The suit has a shocking cut.

The doll has already died several times in the last century. She was "taken apart and put back together again" [1], chased off the stage, or assured that she was "not a doll". The tendency of the doll to disappear can be understood. Theft of the Theater with a capital letter, which synthesizes all, not only stage, arts, reduce the doll to the level of "raisin" in the style of one or another master of the Theater. The doll, having received its last rebirth, lowers its hands again.

The history of the first half of the 20th century, which they don’t like to mention in school textbooks The text may mention organizations recognized as extremist and banned on the territory of the Russian Federation. The author condemns any manifestations of fascism, Nazism, racial hatred and radical nationalism!

This translation is a fragment of the work “Dark Deleuze,” published in 2016 by the University of Minnesota Press and which is a kind of manifesto of the dark side of philosophy, in one sense or another uniting disparate projects that label themselves as dark. Thanks to this text, the outlines of the opposing sides become extremely clear and acquire the political meaning of an asymmetrical intra-philosophical confrontation between two irreconcilable sides - the joyful [joyous] and the dark side.

On the surface it is known that. Significant, weighty, basic it is below, in the roots. This is what my father taught me: “Look at the root.” Also on the Internet, when I meet tons of garbage “trainers”, “coaches”, “gurus” with beautiful bright packaging, catchy names of theories, notions, creative or English-language verbal somersaults, I lift edge and look into the base. Vadim Demchog, Anatoly Balyaev, Svetlana Muzhitskaya, Marina Demchenko, Teddy Larson, John Freeman, Said Davlabani.