Square land: from Akhedzhakova to Khabensky
Or fragments of the theater alphabet Konstantin Khabensky in the play “The Hosts, or the will of Baron Munchausen” in the Moscow Art Theater. A.P. Chekhov. Photo: Vladimir Fedorenko / TASS For a year he was boiling with scandals, he bubbled himself with straightening, but still the most important thing - he shone with the premieres. The theater is so arranged that it should move towards the meaning, to cognition, even if the changeable vector of time indicates a dead end.